- 2026.05.04
Zipping Up to the Chin: A 1mm Shift in the Soul — A Record of Quiet Self-Defense
tracktop girl is a continuous record of portraiture featuring individuals in track jackets. It is no […]
English
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written by English
- 2026.04.06
The Evolution of tracktop girl: From Defiance to Artistry
A Project Without a Blueprint Let’s be honest. For a long time, tracktop girl existed without a gran […]
- 2025.07.24
When My “Gomenne Fingers crossed” Remix Was Played Again on the Club Floor
Not long ago, someone dropped my bootleg remix of Nogizaka46’s “Gomenne Fingers crossed” at a Tokyo […]
- 2025.06.28
Self-Review: “Atsui Mizu” – Exploring Amapiano Through Respect and Raw Emotion
Rehabilitation / Atsui Mizu (means “Hot Water” ) ■ Download Release on Bandcamp – ¥200 currently abo […]
- 2025.06.13
The Records I Couldn’t Let Go #12 – “Stay With Me” by Miki Matsubara (2023 Mix)
Late at night, I spin records alone. As the needle traces the groove, my familiar room begins to glo […]
- 2025.06.01
The Dignity of Music in the Art of DJing: The 1-Chorus Transition
This original text was written in Japanese on note: https://note.com/tonyaharding/n/nb05cf3a68d5b Fo […]
- 2025.04.12
Who I Am (in the House) – A Self-Intro DJ Mix for “Public Address” on April 28
This is a column entry from my series “The Records I Couldn’t Let Go”, posted under the hashtag #捨てレ […]
- 2025.04.08
The Records I Couldn’t Let Go #11 – Megumi Nakajima – 8 pieces of love （星間飛行）
In the stillness of the night, the surface of an analog record begins to emit a quiet glow. As the n […]
- 2025.03.11
The Records I Couldn’t Let Go #10 – BUBBLE-B – Zokkon! Barbecue
Thanks to the connections music has brought me, I’ve been gradually receiving opportunities fo […]
- 2025.03.07
The Records I Couldn’t Let Go #9 – TRUE SOLACE – THANK YOU
Thanks to the connections music has brought me, I’ve been gradually receiving opportunities fo […]
